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Matt DiGeronimo's avatar

Natasha,

Your piece captured something so many of us feel but rarely articulate: that maddening tension between wanting to get it right and needing to let it be. I love how film photography became the metaphor (and the medicine) for surrendering control. The way you described trusting the old camera — even with its quirks and light leaks — as a stand-in for trusting life itself? That hit deep.

And that line: “Beauty doesn’t always conform to the ideal plan on your vision board.” That one might live in my head for a while. I think a lot of us are learning, slowly, that magic often shows up not in the masterpiece, but in the grainy, slightly-off, unexpectedly illuminated corners of our lives.

Also, the imagery of you supporting your inner child like you do your son — full-circle healing and gentleness wrapped in a single sentence. Just beautiful.

Now, because I can’t help myself:

📸 If your inner critic had to wear an outfit every time it showed up, what would it be? 📷 And if one of your film photos came to life and could give you a single sentence of advice, what do you hope it would say?

So grateful for your words. Subscribed with both hands. —Matt

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Arya Voss's avatar

“Make it perfect. Only perfect. Or don’t bother at all.” That hit so hard, right to the core of my old self who still lives deep down in me and makes her weak attempts to come back. But today it’s not about perfect, it’s about making it happen no matter what.

I love it how an old camera imperfection can create something so unique, that it makes it feel real, not perfect.

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